Recent articles on the Film Data Blog

Each week I look at a different film industry topic, focusing on the data and statistics to reveal what's really going on.

After Die Hard, what’s the next most contentious “Christmas” movie?

Last year, I used a variety of data-led indicators to assess the claim that Die Hard is a Christmas movie.

If you don’t want any spoilers as to the result, stop reading this now and head on over to that article.

I used three categories of indicators through which a movie’s “Christmasness” could be judged – artistic, commercial and cultural. The first considers what’s in the movie, the second how it’s sold and the third how it’s perceived.

As time moves on, it’s the final of those three which becomes most crucial.  The artistic nature of the film remains static (well, unless George Lucas gets to it) and the commercial lens is not very reliable, given movie marketers’ penchant for pushing literally anything …

Read full article

Which famous actors have a worse career than Al Pacino?

In an interview last week, Al Pacino revealed that he enjoys starring in bad movies as he views it as a challenge to improve them to the point of mediocrity.

As Al put it…

Sometimes they offer you money to do something that’s not adequate. And you talk yourself into it. And somewhere within you, you know that this thing is gonna be a lemon. But then, when it comes full circle, and you see it, you say, “Oh, no. I’m gonna make this better.” And you spend a lot of time and you’re doing all these things, and you say, “If I can just get this to be a mediocre film,” and you get excited by that. It’s an impulse that …

Read full article

Can the film industry halt the decline of young audiences in cinemas?

Industry watchers (and regular readers) will know that there is an increasing concern in the film business about the declining cinema attendance among young people.  Teenagers and young adults have always formed the biggest group of cinema attendees and yet we have seen a decline in many countries in the current decade.

Last week, I ran a symposium for senior industry figures in UK cinema, supported by Into Film.  In attendance were representatives from the biggest cinema chains, distributors, public bodies, industry bodies and some big names from film production.  The event was a private forum for executives to share their experiences, ideas and solutions with the aim of increasing cinema attendance among young people.  (Note: We observed the Chatham House …

Read full article

Why do cinemas hate long movies?

Last week, I was chatting with a cinema owner who was angrily complaining about Martin Scorsese’s new movie, The Irishman.

The movie has proved controversial on a number of fronts:

  • It has a very short ‘release window’, thanks to it being entirely funded by Netflix.  This means that it will available to stream only 19 days after it first appeared in cinemas.  This has caused much consternation in the exhibition sector, leading to major chains refusing to screen it.
  • Scorsese has made some comments about his dislike for Marvel movies, referring to them as “not cinema” and describing them as “theme parks”.
  • It is a very long movie, coming in at three and a half hours.  This means that it is longer than 99.8% …
Read full article