Recent articles on the Film Data Blog

Each week I look at a different topic around the film industry, focusing on the data and statistics which reveal what's going on.

What’s changed in the world of film festivals?

Just over a year ago I published a long piece about the huge changes we’ve witnessed in the film festival market over the past fifteen years.  It covered the emergence of online submission service Withoutabox, how the industry fell in love with Withoutabox, how it then fell out love thanks to poor service and monopolistic practices (due to their all-powerful patent) and finally the emergence of a rival, FilmFreeway.

If you’ve not read the piece then I recommend you do now as (a) it’s quite an entertaining, shocking story and (b) it will provide context for today’s article.

A year later, I thought I’d check in and see what’s changed.  I spoke to Withoutabox, FilmFreeway and senior people within major film festivals.  Throughout the article, I …

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Is Seed & Spark’s high crowdfunding success rate for real?

In our industry, it’s not uncommon to hear people making bold claims.  They declare that their film is going to make a fortune, that they will soon collect an Oscar and that their new start-up is better than anything else on the market.  

Normally I just ignore this hyperbole, but once in a while, I ask for proof.  Few people reply and even fewer can back up their claims.  Today’s article is about one company that can and did defend their bold claim.

Seed & Spark is a crowdfunding platform aimed at the film industry which claims to have “the highest success rate in the crowdfunding business”.  As regular readers will know, I have studied the world of film crowdfunding for a while, …

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How important is international box office to Hollywood?

Today I’m responding to an email I received from James, who asked how important international box office revenue is to Hollywood studios.  It’s a great question as it’s at the heart of one of the major trends affecting the film business in the 21st century. 

In film industry terminology, “domestic” box office revenue means the money collected in cinemas in the US and Canada, while money grossed in cinemas anywhere else in the world is classed as “international”. 

The growth of the international box office

I built a dataset of all movies released between 1990 and 2016 and looked at their domestic and international box office revenues.  Let’s start by focusing on how much of the money collected by movies from the big six studios came from …

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How many Cannes-nominated films get a theatrical release?

The Cannes Film Festival kicks off next week, and at the centre of all the glitz and glamour is competition for the film world’s greatest artistic prize – the Palme d’Or.  This year, nineteen films are in the running including work by Michael Haneke, Sofia Coppola, Todd Haynes and Michel Hazanavicius.  The films will be screened over the festival’s eleven days, following which a jury of luminaries, headed by Pedro Almodóvar, will decide which film is worthy of walking away with the Palme d’Or.  

But once the festival is over, what happens to the Cannes-nominated films?  In Cannes gone by, I have met filmmakers whose work was being admired in the festival and who excitedly talked about the “inevitable” and “huge” theatrical release awaiting …

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