Recent articles on the Film Data Blog

Each week I look at a different film industry topic, focusing on the data and statistics to reveal what's really going on.

Do directors direct both fiction and documentaries?

I am working on a long-term research project looking at gender among documentarians. Previously, I’ve studied the gender split among directors, producers, writers, cinematographers, composers and sales professionals – but always focusing on fictional feature films.

As I branch out to study factual films, I wanted to do a couple of micro-research projects to learn just how similar the worlds of factual and fictional filmmaking are.

First up: do documentary directors also direct fictional films?  And vice versa?

I started by building a database of all feature films made around the world in the past two decades (1999-2018 inclusive), both factual and fiction.  See the Note section at the end of this piece for more details.

How many people have directed a feature film?

Over …

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Is it better to have one producer or a team of producers?

I have produced films alone and I have produced in partnership with other producers.  Personally, I prefer the latter.

Producing a movie is a big undertaking and so it’s good to have people to share the load and journey with.  Plus the film gets to benefit from multiple people’s strengths, passion and contacts.

Recently, I was chatting to a producer who has the opposite view. They prefer to have the sole producing responsibilities rest on their shoulders as it allows them to keep the film on track: one vision with one leader.

So I thought it would be interesting to look at what the data reveals.  We can’t objectively test ‘which is best’, but we can look at one facet of the question …

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Is hiring a first-time director a risk?

Of all the creative jobs involved in the making of a feature film, the role of director is perhaps the most important.

It’s also the one which most clearly identifies a film. We talk about Spielberg films and Tarantino films more than we do Streep or Hanks films, even though all of these creatives are at the top of their field.

Some reasons for selecting one director over another are artistic (their skill, their ‘voice’, their connection to the script, etc) while others are pragmatic. When it comes to picking the perfect person to helm a film, producers and financiers want to do all they can to ensure the film will be a financial success.

There is a perception in some quarters that …

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Is a movie’s box office gross connected to its budget?

In the last couple of weeks, I have looked at a number of topics around movie budgets.

To complete this trilogy, I am turning to the connection between a movie’s budget and the amount of money it collects at the box office.  Specifically, I’ll be looking at the “Domestic” gross, i.e. all the money spent on movie tickets in US and Canadian cinemas.

I’ll be using my dataset of 5,713 feature films released domestically for which I could find a public budget figure.  See the Notes section for details and caveats of budget information. To measure the extent to which the budget and box office gross are correlated, I’ll be using the Pearson correlation coefficient.

A coefficient of minus one means they’re perfectly negatively …

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