StephenFollows.com - Using data to explain the film industry

StephenFollows.com - Using data to explain the film industry

Share this post

StephenFollows.com - Using data to explain the film industry
StephenFollows.com - Using data to explain the film industry
What types of films compete in the London Film Festival?
Copy link
Facebook
Email
Notes
More
User's avatar
Discover more from StephenFollows.com - Using data to explain the film industry
I use data to understand how the film industry works and then share that to help filmmakers get their films funded, shot and seen.
Over 9,000 subscribers
Already have an account? Sign in
Film Festivals

What types of films compete in the London Film Festival?

Stephen Follows's avatar
Stephen Follows
Sep 21, 2015

Share this post

StephenFollows.com - Using data to explain the film industry
StephenFollows.com - Using data to explain the film industry
What types of films compete in the London Film Festival?
Copy link
Facebook
Email
Notes
More
Share

In a few weeks the 59th BFI London Film Festival will open, screening 238 films from 72 countries in 16 cinemas over 12 days.  The main accolade awarded each year is the 'Best Film' prize, which last year was won by Andrey Zvyagintsev's Leviathan.  This year's 13 nominees have just been announced and the winner will be revealed on the last day of the festival, 17th October.

The London Film Festival is the highest profile UK film festival and takes place in many of the UK's most prestigious cinematic venues.  It's often regarded as being in the second tier of major international festivals, behind only The Big Five (Cannes, Berlin, Venice, Sundance and Toronto).  Each festival has their own tastes and therefore screen certain types of films.  Earlier this year I took a look at the films In Competition at the Cannes Film Festival so I thought I would take a look at the films at the London Film Festival.  In summary...

  • 92% of films In Competition at the London Film Festival are dramas

  • Films with public funding at the London Film Festival have lower audience ratings that those without

  • Films shortlisted in Cannes are more male-centric whereas films at the London Film Festival are more female-centric

The London Film Festival REALLY likes dramas

Of the 59 films shortlisted for 'Best Film' over the past five years, only 5 (i.e. 8%) were not dramas.  Films often have multiple genres, meaning that the next most popular genres are comedies, thrillers and romances.

genre best films london film festival

Does the BFI support their own films?

BFI logo projected onto cinema screen

One often repeated comment about the BFI London Film Festival is that BFI-supported films seem to get favourable treatment.  Obviously this is not something we can measure conclusively but we can look for clues.  I compared the IMDb user ratings for the nominated films, splitting the films into two groups - films with public funding (from the UK Film Council, the BFI or Creative Scotland) and those without public funding.

The London Film Festival shortlisted films without public funding have a higher average score (7.1 out of 10) than those with public funding (6.7 out of 10).

ratings best films london film festival

What are the films about?

In my analysis of the Cannes nominated films I discovered that common themes were 'life' and 'love'.  For the London Film Festival, popular themes are young women and families.  Films shortlisted in Cannes are more male-centric whereas films at the London Film Festival are more female-centric.

Below is a word cloud which shows the frequency of certain words in the plots of London Film Festival nominated films of the past five years.

London Film Festival plot word cloud

Methodology

I used IMDb, Wikipedia and the London Film Festival website to find details on all the films nominated for 'Best Film' award between 2011 and 2015.

Postscript

Interestingly, it seems that the BFI forgot to renew the web domain that used to host the London Film Festival, lff.org.uk.  The BFI initially bought the domain on 16th September 1996 but let the renewal lapse, allowing Morgan O'Connor to buy it on 17th December 2012.  This isn't the only such domain which used to be owned by the BFI which is now in other hands as ukfilmcouncil.org.uk now points to the website of the University of the Creative Arts.  To be fair to the BFI, they do manage around 70 domains, each needing annual renewal.


Subscribe to StephenFollows.com - Using data to explain the film industry

By Stephen Follows · Hundreds of paid subscribers
I use data to understand how the film industry works and then share that to help filmmakers get their films funded, shot and seen.

Share this post

StephenFollows.com - Using data to explain the film industry
StephenFollows.com - Using data to explain the film industry
What types of films compete in the London Film Festival?
Copy link
Facebook
Email
Notes
More
Share

Discussion about this post

User's avatar
Was Harvey Weinstein thanked more often than God at the Oscars?
I analysed almost 2,000 Oscar speeches to discover if the claim that Harvey Weinstein was thanked more often than God is true. Plus, we'll find out…
Feb 27 â€¢ 
Stephen Follows
47

Share this post

StephenFollows.com - Using data to explain the film industry
StephenFollows.com - Using data to explain the film industry
Was Harvey Weinstein thanked more often than God at the Oscars?
Copy link
Facebook
Email
Notes
More
17
How many Hollywood movies are made outside America?
I crunched the data behind the state of "non-American" Hollywood movies, and considered how any system of American tariffs might work.
May 5 â€¢ 
Stephen Follows
45

Share this post

StephenFollows.com - Using data to explain the film industry
StephenFollows.com - Using data to explain the film industry
How many Hollywood movies are made outside America?
Copy link
Facebook
Email
Notes
More
What film professionals can learn from A24's business model
How a carefully balanced mix of creative risk-taking, financial discipline and audience-first thinking turned an indie studio into a cultural…
Mar 26 â€¢ 
Stephen Follows
37

Share this post

StephenFollows.com - Using data to explain the film industry
StephenFollows.com - Using data to explain the film industry
What film professionals can learn from A24's business model
Copy link
Facebook
Email
Notes
More
1

Ready for more?

© 2025 Stephen Follows
Privacy ∙ Terms ∙ Collection notice
Start writingGet the app
Substack is the home for great culture

Share

Copy link
Facebook
Email
Notes
More

Create your profile

User's avatar

Only paid subscribers can comment on this post

Already a paid subscriber? Sign in

Check your email

For your security, we need to re-authenticate you.

Click the link we sent to , or click here to sign in.