Each week I look at a different topic around the film industry, focusing on the data and statistics which reveal what’s going on.
Martin Scorsese’s new film The Irishman has been ruffling feathers throughout the film industry. Most notably for its unusual release pattern. The film was funded by streaming giant Netflix, meaning that it was available on SVOD just 19 days after it first hit cinema screens. This is a highly unusual ‘collapsing of the theatrical window’. […]
Last year, I used a variety of data-led indicators to assess the claim that Die Hard is a Christmas movie. If you don’t want any spoilers as to the result, stop reading this now and head on over to that article. I used three categories of indicators through which a movie’s “Christmasness” could be judged […]
In an interview last week, Al Pacino revealed that he enjoys starring in bad movies as he views it as a challenge to improve them to the point of mediocrity. As Al put it… Sometimes they offer you money to do something that’s not adequate. And you talk yourself into it. And somewhere within you, […]
Industry watchers (and regular readers) will know that there is an increasing concern in the film business about the declining cinema attendance among young people. Teenagers and young adults have always formed the biggest group of cinema attendees and yet we have seen a decline in many countries in the current decade. Last week, I […]
Last week, I was chatting with a cinema owner who was angrily complaining about Martin Scorsese’s new movie, The Irishman. The movie has proved controversial on a number of fronts: It has a very short ‘release window’, thanks to it being entirely funded by Netflix. This means that it will available to stream only 19 […]
If you ask the average movie-goer what they don’t like about Hollywood movies, they are likely to mention the seemingly endless production of sequels, prequels and spin-offs. Last week, a filmmaker asked me how common these were among independent movies. I didn’t know offhand, so I decided to find out. I used my database of […]
The profitability of independent films is a complicated topic for a whole variety of reasons. The indie film sector is: Decentralised. It relies on a constantly shifting chain of third parties across the world, with no requirement to report to a centralised body, no third party verification and lacks even agreed reporting standards. Opaque. Some revenue streams […]
A common belief among sales and distribution professionals is that “names sell”. As in, films starring famous actors (“names”) are more marketable than films without any famous names. But how true is this? Bruce Nash and I teamed up to find out in the latest of our research projects for the American Film Market. Studying […]
As many of you may have heard last week, film aggregator Distribber looks close to collapse. Their office has been closed, staff laid off, senior figures have departed and filmmakers owed money can’t even get a reply to their questions. I’ve had a number of questions from readers and industry commentators concerning the data behind […]
It: Chapter Two is an unusual horror film because it’s almost three hours long. This means it is longer than 99.78% of all horror films made over the past twenty years. Earlier in the year Avengers: Endgame was one minute over the three-hour barrier and Martine Scorsese’s up-coming epic The Irishman is expected to be […]
