48 trends reshaping the film industry: Part 4 – Industry changes

This is the last instalment in a four-part series chronicling 48 trends and changes in the film industry.

To compile this list, I have been back through all of my old research, conducted new projects, read outside research and solicited suggestions from my industry readership (thank you to everyone who contributed). The result is a list of 48 trends and changes affecting the film industry.  For readability, I have split them into four groups:

  • Development and finance
  • Cast, crew and production
  • Distribution and exhibition
  • Industry changes (see below)
  • 37. Cannes festival and market are getting bigger

    The Cannes festival (“Festival de Cannes”) and film market (“Marché du Film”) are the biggest events in the industry calendar and attract film professionals from all over the world.   The 2005 Cannes festival and market …

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    48 trends reshaping the film industry: Part 3 – Distribution and exhibition

    This is the third instalment of a four-part series chronicling trends and changes in the film industry.

    To compile the list, I have been back through all of my old research, conducted new projects, read outside research and solicited suggestions from my industry readership (thank you to everyone who contributed).

    The result is a list of 48 trends and changes affecting the film industry.  For readability, I have split them into four groups:

  • Development and finance
  • Cast, crew and production
  • Distribution and exhibition (see below)
  • Industry changes
  • 25. Cinemas are showing far more than just traditional movie screenings

    In the first half of the 20th century, there was a lot of change in what cinemas screened.  They started showing very short gimmicky films, added live music, replaced the music with …

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    48 trends reshaping the film industry: Part 2 – Production

    This is the second instalment of a four-part series chronicling 48 different trends and changes in the film industry.

    Last week I gave you trends 1 to 12, in the fields of development and finance and in future weeks I will cover distribution, sales, exhibition and structural changes in how the film industry operates.

    This week’s twelve trends focus on the production sector, including details of changes to cast and crew.

    13. Movie production worldwide is booming

    In the ten years between 2000 and 2010, worldwide movie production doubled and has continued to rise since then.  This boom is largely down to cheaper and easier to use technologies for shooting, finishing and distributing movies.  In addition, the internet (especially YouTube) has democratised access to the knowledge needed to …

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    A data dive into Patreon

    As long-time readers will know, I’m keen to cover the speed and scope of changes within the film business.  The industry has experienced a greater degree of flux in the past decade than in the previous century, and yet more shape-shifting is on the horizon.  This transformation makes it a fascinating time to be entering or studying the film industry.

    One of the areas of significant change is the evolving relationship between artists and audiences.  Historically, there have been many levels of middlemen between the artists (i.e. writers, directors, actors, etc) and their audience (i.e. the people who actually pay to watch their work).  Money and feedback from audiences flowed back to artists via a long chain of studios, sales agents, distributors, exhibitors, retailers …

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    How many stunt performers work on a movie?

    The film industry is full of under-appreciated people whose work doesn’t get the recognition it deserves.  Visual effects teams make movie stars look younger, body doubles make them look sexier and writers make them seem normal and likeable.

    But only one set of such heroes put their lives on the line in the course of their day jobs – stunt performers.

    There has been a long-running campaign to get stunt performers recognised by the Oscars. Despite campaigning for over 25 years and gaining over 50,000 signatures, stunt performers haven’t yet managed to convince the Academy to add a stunt category.

    Not only is their work under-recognised, it’s also often extremely dangerous. The past two months have brought us two tragic stunt accidents. Stuntman John …

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    The effect of Brexit on the UK film industry

    It’s been almost a year since I last addressed the topic of Brexit on this blog and I’ve wanted to give you an update for a while. The reason you’re reading this now is that the BFI have finally released an internal report (commissioned last summer) which looks at the effect of Brexit on the UK’s screen sector.

    The report was put out to tender last August and the finished document delivered to the BFI’s Screen Sector Task Force in January. It wasn’t publicly available, so I put in a Freedom of Information request and last Friday the report was added to the BFI site. I strongly recommend that you download and read the full report yourself. It’s 84 pages long …

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    The UK’s secret 20% tax relief for short films

    Short films have long been a vital part of the journey of new filmmakers, allowing them to learn new skills, meet like-minded collaborators and showcase their talent.  

    Most people’s first few shorts have a budget of almost (or exactly) nothing, with the filmmakers relying on the help of friends and family.  However, as their ambition grows, so too must their budget. The cost of a short film can vary wildly, but over half of the short films submitted to the Raindance Film Festival cost more than £3,000.

    Short filmmakers do all sorts of things to raise money for their short films, including crowdfunding, applying to schemes, begging family and spending their own savings.  So it may come as a surprise …

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    WGA Writers’ Strike 2017: The numbers behind the demands

    You may have heard rumblings in the press about a possible upcoming writers’ strike in Hollywood, and a few readers have been in touch to ask about the debate.  

    In today’s article, I will look at some of the key numbers that lie at the heart of the disagreement between the writers and the studios. 

    I am going to avoid taking sides in this piece as my aim is to provide useful data for the debate, rather than to argue for one view or another. If I’ve missed anything, or if you want to add your thoughts on the topic, please do so in comments at the bottom of the page. Topics like this can arouse strong feelings on both sides, so I …

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    When and how the film business went digital

    Last week, I looked at six trends for how the film business is changing.  It got a great response and I was heartened to see such interesting, lively debate about it.  One of the topics raised by a few people was the move from analog to digital processes.  I didn’t include the move to digital as a trend because it’s not one single thing, with each corner of the industry transitioning at a different pace.

    So this week I thought I would take you through a quick tour of when and how various aspects of the film industry moved to digital technology.  For some aspects, I have lots of data, while others are a little scant.  If you have knowledge or data on anything …

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    Six ways the film business is changing

    The coming of a new year always makes me pause and take stock.  It’s a time when people traditionally ponder what they’re up to, where they’re going and what they want to do next.  So I have spent some time thinking about what’s happening in the film business and where we’re going.  I don’t like predictions (see the Epilogue for more about this) but there are a few trends which give us clues about the next few years in film.

    Each of these trends really requires several charts and graphs, but just in case you had other plans for today I have limited myself to no more than one for each trend. I have added some links for further reading, for those of …

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