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Which countries most commonly team up to create film co-productions?

April 22, 2019 0 comments

In the past few months, I have received a growing number of questions relating to international collaboration on movies. Some relate to the individual level of cast and crew working across borders while others focus on films as commercial products manufactured in more than one country.

It’s hard to tell why the topic of international collaboration in the film industry is becoming more frequent in readers’ questions.  It could be Brexit specifically or a more general sense that as nationalism rises around the world, the need for partnership in the arts increases.

With no Brexit deal on the horizon, we are still unsure what Britain’s departure from the EU will mean for the British and European film industries.  Some aspects both have …

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How do film budgets change as they grow?

March 4, 2019 7 comments

One of the reasons it’s hard to make your first movie is that much of the information you need is not available. While we can all read granular box office figures online, it’s often hard to reliably discover how much a movie cost to make and it’s near impossible to know how they spent that money.

And so I’m pretty excited to share today’s research. It’s a collaboration with Wayne Marc Godfrey, film producer and financier of more than 125 independent feature films. Later this year, he’s launching a new receivables and collections platform for creators and distributors called purely.capital.  In the lead-up to purely.capital’s launch, we’re working together on a few articles to shine a light on the financial side of independent film.

First …

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The data behind terrible, terrible movies

December 10, 2018 7 comments

Last week, I used the release of Robin Hood as a catalyst for an article about box office flops.  Normally, I don’t like to single films out for undue criticism but sometimes it can’t be avoided.  I’ll try and be more restrained in future articles.

This week, I’m turning to the completely different topic of terrible, terrible movies – such as the recent release of Robin Hood.  The film has received an average score of 32 out of 100 from film critics (just 15% of reviewers gave it a positive review) and it has an IMDb score of 5.3 out of 10. Also, I saw it and I want my time back.

To try and make lemonade out of this lemon, I decided …

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How important is the opening week to a movie’s total box office?

June 11, 2018 6 comments

I was contacted by a reader who asked about the importance of the opening weekend as a percentage of the total amount a movie will gross.  Specifically, they asked about Black Panther, a movie which has stayed in cinemas for longer than most and for which the high point of press attention seemed to come a few weeks after its initial release.  “Does this mean that it made more money in weeks three and four than week one?” they asked. The significance of the opening week’s gross is a great topic to study, so I took a look.  I built a database of all movies released domestically (i.e. in American and Canadian cinemas) in the twenty years between 1998 and 2017, inclusive.  …

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How long does the average Hollywood movie take to make?

May 7, 2018 8 comments

Today’s topic is one I’ve had on my ‘to do’ list for a while and it took the help of four students to gather all the data.  We looked at the key dates behind Hollywood studio movies in order to work out roughly how long the average Hollywood movie takes to make.

We built a database of 782 live-action studio-produced feature films, all of which were released domestically between 2006 and 2016, inclusive.  We then scoured trades and traditional press outlets to find the earliest date for the following key milestones:

  • Announcement – The date when it’s publicly announced that the film will be made.  Often this is when the industry announces that the script has been optioned, but could also be when the mainstream press …
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The prevalence of sequels, remakes and original movies

April 30, 2018 12 comments

Over the weekend, I saw Avengers: Infinity War.  I shall avoid talking about the actual movie so you don’t have to worry about spoilers here.  What I do want to discuss is originality amongst top movies.  Before the Avengers began saving the world, we were treated to trailers for nothing but sequels, prequels and other movies based on existing material.

While hardly a scientific way of judging all of Hollywood’s output, it did underline the issue for me. 2018 is going to be a bumper year for such movies, with cinemas showing:

  • Sequels such as Mamma Mia! Here We Go Again, Sherlock Gnomes, Johnny English Strikes Again, X-Men: Dark Phoenix, Pacific Rim: Uprising, Fifty Shades Freed, Maze Runner: The Death Cure, Deadpool 2, The Equalizer 2, Super …
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How does the use of the terms ‘cinematographer’ and ‘director of photography’ differ?

April 23, 2018 3 comments

When I was starting out in film, I always heard the head of the camera department being referred to as either “DoP” (pronounced dee-oh-pea) or “DP” (pronounced dee-pea), both of which are short for director of photography.  As I met more filmmakers, I learned that the same role is often called the cinematographer (pronounced… well, the way it’s written).

Today, I thought I’d take a look at these two job titles and try to make sense of where each is used.

What is a cinematographer / director of photography?

In most real-world situations, the two job titles are interchangeable. Simply put, this person is responsible for crafting the film’s visual style, or ‘look’.  They report directly to the director and have a large number of people answering to them.  …

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How many non-English language films get a US theatrical release?

April 9, 2018 3 comments

This week is part two of an investigation into the languages found in modern movies. These articles came from a reader’s question.  Tui asked “I was wondering how many Non-U.S. English-language narrative drama features get Theatrical North American distribution“.  In the end, the data took me on quite a journey, so I split what I found into two articles:

  • Last week – What languages are most commonly used in movies?
  • This week – How many non-English films get a US theatrical release?
    • What is a Non-English language film?

    This might sound like an obvious point, but before we can study ‘non-English language movies’, we need to be clear what we mean by that term. Many movies feature other languages whilst still having English as their primary language. For …

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    Who are the most prolific people working in Hollywood?

    March 26, 2018 10 comments

    Last week, I looked at how the composition of crews on Hollywood movies has changed over the years.

    This piece led a few people to ask questions on related topics, one of which I will address today.  John asked:”From your datasets can you see which people have worked the most often?”

    To answer the question, I looked at all credits received on the 200 highest-grossing movies at the US box office between 1997 and 2016 (i.e. 4,000 movies).  I then created league tables of the most frequently-credited people in a number of major roles.

    Today’s research is only looking at movies, so work on other media is not being counted (i.e. TV shows).

    Most prolific directors in Hollywood

    Let’s start with the highest profile creative role on a …

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    How has the average Hollywood movie crew changed?

    March 19, 2018 3 comments

    In the past, I’ve looked at how big a movie crew can get, for both UK films and Hollywood movies. But I was recently asked by a reader how the composition of such crews has changed over time. Which departments are getting larger? Which jobs are on the rise and which are waning?

    To answer this, I looked at the credits of the top 200 US-grossing movies of each of the past 20 years (1997-2016), giving me a dataset of 4,000 movies.

    The big picture

    In the past two decades, the number of crew members on a top-grossing movie has grown by 77%, from 350 in 1997 to 620 in 2016. If we group those crew credits into stages of production, we …

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