How many movie producers does a film need?

17 March '14 11 Comments on How many movie producers does a film need?

Movie producers sit behind a deskA few weeks ago I looked at how big each of the main departments are on a feature film. It was a very popular article and led to a bunch of questions from readers.

Over the next few months, between other topics, I’ll see if I can address those questions. First up: producers. I looked at the producer credits on the highest grossing 100 films of each of the past 20 years, giving me a pool of 2,000 films to study.

In summary…

  • In 1994, there were an average of 5.8 producers credited per film. By 2013, that grew to 10.
  • The number of executive producers has doubled since 1994.
  • Warner and Disney films have more ‘executive producers’ than standard ‘producers’.
  • Major independent films tend to have more executive producers than Hollywood films.
  • The number of associate producer credits has barely changed in 20 years.
  • Larger films don’t have more producers than smaller films.

The Ten Commanders…

In 2013, the average film had 10.1 producers in total. That’s 3.2 producers, 4.4 executive producers, 1.2 co-producers, 0.8 associate producers and 0.5 other types of producer. This is almost double the number involved with films made in 1994 (5.8 per film). Average number of movie producers on Hollywood films 1994-2013

Revenge of the Executives

In the mid-to-late 1990s, there were an average of just under 2 executive producers per film. In 2000, the number jumped to 2.5 (more than the number of standard ‘producers’) and it has been rising ever since. In 2013, there were an average of 4.4 executive producers per film, compared with 3.2 standard ‘producers’. Movie producers credits on Hollywood films 1994-2013

What is a Producer, anyhow?

The exact title given to a producer is not regulated by any union or guild, unlike writers and directors in the States. The end result is a whole cavalcade of producing titles and no agreed standard. While some people may be credited as co-producer on one project, the same responsibilities might receive an associate producer credit on another.

Each company or studio will have their own rules but they don’t seem to match up with each other. Generally speaking, I’d say that producing credits break down as follows…

  • Movie producers from State and MainProducer – The main person running the whole production (like a CEO)
  • Executive Producer – A powerful person, normally related to the financing and/or the studio behind the project.
  • Co-producer – Someone significantly involved in the making of the film. Also encompasses a local producer when a film is a co-production between multiple companies and/or countries.
  • Line Producer – The person planning the actual filming process.
  • Associate Producer – What you give your secretary instead of a raise.

Ok, ok, the last one is only half true. The ‘associate producer’ credit has been devalued over time and in many quarters it’s seen as a worthless credit given to those who you need to placate in order to make the movie. That ‘secretary’ joke comes from David Mamet’s glorious film ‘State and Main’ which follows a huge Hollywood production shooting in a small town. Interestingly, the data shows that the average number of associate producers per film has barely changed in 20 years (1994 = 0.9 per film, 2013 = 0.8 per film).

Studios of producers

Films at Warner Bros. and Walt Disney have more ‘executive producers’ than standard ‘producers’. Taking into account the questionable nature of ‘associate producer’ credits mentioned above, they are rarer on 20th Century Fox films than they are on Disney films.

The independent sector, (defined as films made without backing from one of the six major studios), hires the most executive producers (on average 3.3 per film, compared with Hollywood’s average 2.6 per film). Average movie producers credits per Hollywood studio

Do larger films have more producers?

No. There isn’t a correlation between the size of the budget and the number of movie producers. Average number of movie producers credits on Hollywood films by budget range

Do more movie producers mean a bigger box office?

No. But to be fair, nor does it appear that more producers are a hindrance. I cross-referenced the number of movie producers with the gross box office performance of the films and found no clear pattern.

I also looked at the ‘budget to box office ratio’ to rate films based on how well they performed in relation to their budget, but still no pattern emerges. This is not surprising – clearly it’s the quality of movie producers that matters, not the quantity.

Credit where credit is due

Within my 2,000 films there were 202 producer credits that didn’t fall into the main types listed above. Some of the those included…

  • The movie The Producers3D producer
  • IMAX producer
  • Co-ordinating producer
  • Contributing producer
  • Supervising producer
  • Creative executive
  • Transmedia producer
  • Entertainment producer
  • Delegate producer

How many movie producers is too many producers?

In my article about department sizes on Hollywood films a few weeks ago (based on the top-grossing 1,000 films 1994-2013) I listed the five productions with the largest number of producers.  In my study, Lee Daniel’s The Butler has 39 producers credited to it – 5 producers, 17 executive producers, 6 co-executive producers, 4 co-producers and 7 associate producers.

Films with the highest number of Producers (1994-2013)
Lee Daniels' The Butler39
Lone Survivor30
The Simpsons Movie22
Olympus Has Fallen21


This data is based on publicly available information, such as Opus and IMDb and so there may be some reporting bias, especially towards the older films.

I’m aware that this article might elicit some good producer jokes so I thought I’d get in there first. I’ve previously tried to find the collective noun for a bunch of producers (A crook? A scourge? A pride? An ostentation? A cluster-fuck of producers?) so let’s end with some old school gags…

How many producers does it take to screw in a lightbulb?  Producers don’t screw in lightbulbs, they screw in hot tubs. Two producers are sitting on a park bench. A beautiful girl walks by. The first producer says “Man, I’d like to screw her”. The other producer says “Out of what?”



  1. Thank you very much!! I thought I would be nice to have this informations of the Brazilian Film Industry too. I’ll try to see how to do it. But thanks for the insights and comedy of Producing films.

  2. Is there any link between the number of producers and the return on investment to a film’s financial backers? I’m assuming that anyone who is a producer is getting paid and those costs would be expenses that decrease profits available to distribute to investors.

    1. Good question. The hard part of that question is working out how much the film actually returned to investors. The cinema box office is relatively well known but income from TV, DVD, Video on Demand are all private. Similarly, the overall budget level is normally known but other costs such as the hugely expensive task of global marketing is unknown.

      I did have a look for correlations between box office performance and number of producers but, unsurprisingly, I think it’s too slight a factor to move the income noticeably. The quality of the film massively overpowers the effect of greater or fewer producers.

  3. It is interesting to see how many important actors now have executive producer credits on the films and TV shows they work on. I worked in the industry for 11 years working at Paramount, Universal, MGM and 20th Century Fox I have watched many production being filmed and it is not often that a producer does anything there so they must be behind the scenes making decisions or writing checks during filming it is usually the director and cinematographer giving orders. Watching a film being made is very interesting it is a large team of profesionals doing a hundred different things and making things mesh in a way that I don’t think happens anywhere else in the world, and they love what there doing. If someones asked after 12 grueling hours; do you want to work a little more or go home almost everyone would say let’s work some more. 12 to 16 hours is a normal work day.

  4. It’s interesting to know that having more producers technically isn’t a hindrance for a film project. I currently trying to direct a short film that is slowly creeping its way up to the 20-minute mark the more my peers and and I work on the storyboard. I think I’m going to need to hire a producer just to keep everything in line once filming begins.

Leave a Reply

Your email address will not be published. Required fields are marked *

Stephen Follows