Which countries most commonly team up to create film co-productions?

In the past few months, I have received a growing number of questions relating to international collaboration on movies. Some relate to the individual level of cast and crew working across borders while others focus on films as commercial products manufactured in more than one country.

It’s hard to tell why the topic of international collaboration in the film industry is becoming more frequent in readers’ questions.  It could be Brexit specifically or a more general sense that as nationalism rises around the world, the need for partnership in the arts increases.

With no Brexit deal on the horizon, we are still unsure what Britain’s departure from the EU will mean for the British and European film industries.  Some aspects both have …

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What percentage of film producers are women?

Last week, I looked at producers’ careers and this week I am going to use the same data to look at how the picture differs between male and female film producers.

This research harnesses my dataset of every feature film released between 1949 and 2018 inclusive. This includes 631,365 producer credits across 274,991 films and 269,385 individual producers.

For today’s article, I’m going to assume that readers are familiar with the different types of producing credits.  If you would like a quick primer then head over to last week’s article, entitled On average, how many films does a producer produce? In the opening section, I have detailed the different credits and what they mean.

What percentage of film producers are women?

In 2018, 26.4% of all …

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On average, how many films does a producer produce?

A few months ago, I looked at the average number of films a director is likely to make over their career.  This led to people asking about producers and so I agreed to take a look.

The role of a movie producer is wide-ranging, flexible and often confusing.  Added to that, there are a number of different types of producer credit, each holding different meaning and power.

I used my dataset of every fiction feature film made between 1949 and 2018 inclusive, and zeroed in on the producer credits.  This includes 631,365 producer credits across 274,991 films and 269,385 individual producers.

Let’s start by looking at what producer credits there are and then move on to producing careers.

Producers award producer credits

For most senior positions on major films, there …

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How do film budgets change as they grow?

One of the reasons it’s hard to make your first movie is that much of the information you need is not available. While we can all read granular box office figures online, it’s often hard to reliably discover how much a movie cost to make and it’s near impossible to know how they spent that money.

And so I’m pretty excited to share today’s research. It’s a collaboration with Wayne Marc Godfrey, film producer and financier of more than 125 independent feature films. Later this year, he’s launching a new receivables and collections platform for creators and distributors called purely.capital.  In the lead-up to purely.capital’s launch, we’re working together on a few articles to shine a light on the financial side of independent film.

First …

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What the data says about producing low-budget horror films

This is the fourth of four articles I co-authored with Bruce Nash on behalf of the American Film Market.

We have previously looked at drama, comedy and family films and today we turn to horror.

Specifically, horror movies budgeted between $500,000 and $5 million which were released domestically (i.e. in the US and Canada) between 2000 and 2016.

We have boiled down all our data, statistics and modelling to a number of quick takeaways on the horror genre. They are:

  • Horror movies are the most profitable genre
  • …but also the riskiest genre
  • Quality doesn’t matter all that much
  • Your release will either be very wide or very small
  • Horror audiences are more likely to be working class
  • Let’s dive in and look at each of these findings in detail…

    1. …
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    How important are quality and cast for dramas?

    Today, I’m sharing another project I carried out for the American Film Market along with Bruce Nash from The Numbers. In this article, we’re going to look at the performance of dramas, and what it takes for them to be successful.

    The moniker ‘drama’ is often maligned by distribution professionals as not being a real genre.  There is some truth to this claim – many films which lack a clear genre are simply labelled as dramas, and drama is a rather broad classification (i.e. any moment in life can technically be labelled as drama, whereas not every event can be classed as romantic, sci-fi, western etc).

    The main purpose of genre classification is to set the audiences’ expectations.  What will they get in return for …

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    Three ways to increase your chances of success when making a family film

    Four times a year, the American Film Market asks Bruce Nash and I to crunch the numbers on a topic relevant to the segment of their audience that are low budget producers.

    In the past, we’ve looked at topics such as what types of independent films make the most money, patterns among breakout hits at different budget ranges ($3m to $10m, $10m to $20m and $20m to $50m), what VOD audiences watch, and which movies travel best.

    This year, they have asked us to focus on four different genres and look at what producers can do to increases their chances of financial success. First up – family films.

    The genre classification ‘family’ is an interesting one.  Some genres are defined by their content (such as …

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    How long does the average Hollywood movie take to make?

    Today’s topic is one I’ve had on my ‘to do’ list for a while and it took the help of four students to gather all the data.  We looked at the key dates behind Hollywood studio movies in order to work out roughly how long the average Hollywood movie takes to make.

    We built a database of 782 live-action studio-produced feature films, all of which were released domestically between 2006 and 2016, inclusive.  We then scoured trades and traditional press outlets to find the earliest date for the following key milestones:

    • Announcement – The date when it’s publicly announced that the film will be made.  Often this is when the industry announces that the script has been optioned, but could also be when the mainstream press …
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    Patterns among the most profitable movies budgeted $3m to $10m

    Today’s article is another joint project with Bruce Nash from The Numbers.  In a series of research studies for the American Film Market, we looked at what it takes for films to break out at different ends of the indie budget spectrum. We’ve looked at the most profitable low-budget films (with budgets under $3 million), those costing $10 million and $20 million, and also movies made for between $20 million to $50 million.

    Now we will fill in the gap by looking at the most profitable movies budgeted between $3 million and $10 million.

    As before, we reviewed all the films in Nash Information Services’ database in that budget range released between 2000 and 2016. We then identified the sixty most profitable movies, after accounting for …

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    Who are the most prolific people working in Hollywood?

    Last week, I looked at how the composition of crews on Hollywood movies has changed over the years.

    This piece led a few people to ask questions on related topics, one of which I will address today.  John asked:”From your datasets can you see which people have worked the most often?”

    To answer the question, I looked at all credits received on the 200 highest-grossing movies at the US box office between 1997 and 2016 (i.e. 4,000 movies).  I then created league tables of the most frequently-credited people in a number of major roles.

    Today’s research is only looking at movies, so work on other media is not being counted (i.e. TV shows).

    Most prolific directors in Hollywood

    Let’s start with the highest profile creative role on a …

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