Sitemap - 2026 - StephenFollows.com - Using data to explain the film industry
Are film directors getting older?
How much of a film festival's income comes from entry fees?
Does a famous cast mean a better film?
Do famous actors pay off at the box office?
Why is there less sex in movies?
Nine takeaways from the 2026 Cannes Marché du Film
Why movie clichés are GOOD, actually
Does winning Cannes actually help a film at the box office?
What does the Marché du Film 2026 programme say about the film industry?
What the data says about who should be the next James Bond
Which film directors have the most consistent visual style?
What do Cannes first-timers get wrong?
Is the over-50 action star boom peaking already?
Did Parasite change how audiences think about South Korean cinema?
Nine lessons from almost 100 film distribution case studies
Are two-hour movies the new normal?
Why do films have so many producers?
Does one page of a screenplay really equal one minute of screen time?
What happened to the sound of action films?
How often does one person write, direct, produce, and star in a movie?
Movies have become more intense (but not in the way you think)
3 smart sounding reasons movies feel dumber…er
What does the patent behind Netflix’s acquisition of Ben Affleck’s AI company actually do?
Are movies becoming more simplistic?
What do movies get wrong most often?
How one-star and ten-star votes break IMDb's user score
You’re right about woke movies… and also wrong
Risk mitigation and casual nihilism were the main themes at the 2026 European Film Market
What Berlin’s market programme says about the film industry in 2026
Does the timing of reviews predict whether a film is any good?
What makes people never want to rewatch a great film?
A bigger market is emerging for independent films worldwide
Do famous actors earn more on Cameo than less famous ones?
What modern movie franchises can learn from the enduring success of The Lord of the Rings
How many films employ an Intimacy Coordinator?
How the film industry's new shape is an amazing opportunity for filmmakers
Why the film business is considerably riskier than it used to be